A new season of hit musical series Cells is now available to watch online.
Cells once again stars Metta’s Patron, the Olivier award winning Clive Rowe alongside rising star Lem Knights. They are joined by Natalie Hope, whose credits include The Commitments (West End), and Sweet Charity (Royal Exchange), and Legally Blonde (Leicester Curve). The first season of Cells was written, developed and recorded entirely during the 2021 winter lockdown by the award-winning writer/director P Burton-Morgan and composer Ben Glasstone. The cast album is available via Spotify and other digital platforms accessible here.
You can watch Season Two below:
Cells is written and directed by P Burton-Morgan (Madam Butterfly UK tour, In the Willows, UK tour, Jungle Book UK & International Tour), with music by Ben Glasstone, mixed and mastered by Simon Small and the Musical Director is James Cleeve. The Director of Photography is Jon Dickinson, the films are edited by Will Reynolds. James Cleeve plays keys, Paul Moylan plays double bass and Curtis Volp is on guitar.
P Burton-Morgan, who in 2020 won the Writers Guild of Great Britain Award for musical theatre book writing for In the Willows says, “We’re delighted to be revisiting our digital musical Cells and releasing ‘Season Two’ with the introduction of a third character. With the first season having been seen by over 42,000 people across YouTube and Facebook, it’s wonderful to hopefully reach even more audiences digitally with the next instalment of this intimately moving story. Taken together both ‘seasons’ make up a full-length piece and we’re in conversation with several venues about bringing the stage version to live audiences in 2023.
It’s wonderful to see theatres recovering, but the challenge of developing and more crucially producing new British musicals remains as acute as ever. We’re excited to continue pursing digital outlets for our work alongside traditional live performances, and we hope this alongside our cast albums and music videos for other projects will help sustain interest in our quirkier projects, as well as reaching audiences who are still unable to return to in-person performance.”