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The Body Of An American

  • 27 Feb - 08 Mar 2014 Underground
  • Tickets from: £17 plus transaction fee
  • Running Time: N/A
  • Suitability: Ages 14 and above
  • Access: Disabled

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Winner Of The 2013 PEN Award For Drama
By Dan O'Brien
A Co-Production With Gate Theatre

Mogadishu, 1993. Paul Watson is a Canadian photojournalist who is about to take a picture that will win him the Pulitzer Prize.

Princeton, 2013, Dan O’Brien is an American writer who is struggling to finish his play about ghosts. Both men live worlds apart but a chance encounter over the airwaves sparks an extraordinary friendship that sees them journey from one of the most dangerous places on earth to the depths of the human soul.

Flying from Kabul to the Canadian High Arctic, The Body Of An American is an exhilarating new form of documentary drama that splices the dialogue with actual recordings and photographs by Paul Watson. Performed in an intimate studio space created in our Underground, this production places these two men’s battles – both public and private – against a backdrop of some of the world’s most iconic images of war.

William Gaminara, best known as Professor Leo Dalton in BBC One’s Silent Witness, takes the role of Paul alongside Damien Molony, (Ripper Street, Being Human, Suspects) as Dan.

Recommended for 14+. Contains uncensored images of war.

Reviews

Press Reviews

The Stage 21/01/2014

"an engrossingly subjective docu-drama which feels psychologically acute and politically important ... Gaminara and Molony as the world-weary Paul and the enquiring Dan are both excellent"

Time Out 21/01/2014

"an exceptionally assured production by James Dacre ... holds you in a steely grip"

London Evening Standard 21/01/2014

"Gaminara is gut-wrenchingly believable as Paul ... director James Dacre injects extra theatrical zest"

The Upcoming 21/01/2014

"an extraordinary exploration of mental health, war and friendship"

Exeunt Magazine 22/01/2014

"The Body of an American is a stunning, complex piece of theatre that refuses to be tamed or drawn into conclusions. There is no moralising or sanding down of rough or difficult edges, there is precious little concern given for the lack of a dramatic arc or the fragmentation of characters and perspective. Its the story of two lives flicking through one another for answers, a record of vital but insoluble moral questioning."

The Younger Theatre 22/01/2014

"a remarkably successful production of a challenging play, with real meat on its bones"

The Telegraph 24/01/2014

"James Dacre's accomplished, atmospheric production"

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